Loading page...
Loading page...
This round is closed. The next round and similar open calls are listed below. Synced from the EU Funding & Tenders Portal on 9 November 2026.
This call is closed. These open or upcoming calls fund the closest work.
Projects the EU funded under this call, with the organisation that led each one.
New LeadershipsAn laboratory experimentation for artistic leaders with disabilities.
Led by Association Departementale des Pupilles de L Enseignement Public de L Herault · France · 2026 · Official record ↗
BCPBrave Creative Producers
Led by Emanat Zavod Za Razvoj In Afirmacijo Plesa In Sodobne Umetnosti · Slovenia · 2026 · Official record ↗
IPInvisible painting
Led by Wojewodzki Osrodek Animacji Kultury · Poland · 2026 · Official record ↗
COOPERAChanging Opera and Opera makers through Participation, Experimentation, Research and transdisciplinary Art
Led by Association Collectif la Meute · France · 2026 · Official record ↗
RE-MARKArt and Culture Revitalizing Rural Farmers’ Markets and Communities
Led by Clust-Er Economia Urbana · Italy · 2026 · Official record ↗
NARATTE-DNARRATE-D; Reimagining Libraries as Dementia-friendly Hubs
Led by Koinofeles Somateio Arogis Kai Frontidas Ilikiomenon Kai Atomon Me Anapiria · Greece · 2026 · Official record ↗
Melodious ShadeMelodious Shade: A Multisensory Jazz-Theatre Experience
Led by Nisville Foundation Association · Serbia · 2026 · Official record ↗
MEDUSAMEDUSA - Contemporary Playwriting and Inclusive Identities in Europe
Led by En Kai Pan Cooperativa Sociale · Italy · 2026 · Official record ↗
Shared HeritageShared Heritage: Culture and Technology for Intercultural Understanding in Europe
Led by Jovenes Hacia la Solidaridad y El Desarrollo · Spain · 2026 · Official record ↗
COCACOCosmologies of Care and Conviviality - New Narratives in Curatorial Practice
Led by Mezekere Centering Arts of the Global Majority and Diaspora · Austria · 2026 · Official record ↗
Based on projects the EU funded on the same subject in this programme.
Sustain MusicSustain Music
CREA-CULT-2021-NET · 2021 · Official record ↗
EMCEuropean Music Council - the European network for music networks and music organisations
CREA-CULT-2024-NET · 2024 · Official record ↗
EUROMUSEEUROMUSE: Participatory music creation and implementation of original music in museums, testing visitors, and measuring the impact of original music, aiming to enhance the museum experience.
CREA-CULT-2024-COOP-1 · 2024 · Official record ↗
IMPFNetwork for the Capacity Building of European Independent Music Publishers
CREA-CULT-2021-NET · 2022 · Official record ↗
MUSIKA PERIPHERIKAMusika Peripherika: The New Crossroads of Music & Film in the 21st Century
CREA-CROSS-2021-INNOVLAB · 2022 · Official record ↗
Trad EuropeToward a modernised outlook of Traditional music and dance culture in Europe to enhance and diversify audiences
CREA-CULT-2022-COOP-1 · 2023 · Official record ↗
MUSICVILLEMUSICVILLE – Green European Opera
CREA-CULT-2022-COOP-1 · 2023 · Official record ↗
NEMONetwork of European Museum Organisations
CREA-CULT-2024-NET · 2025 · Official record ↗
Each one links to its EU funding record and the partners it works with: a starting list for building a consortium.
Objective:The action European Cooperation Projects supports projects involving organisations in the cultural and creative sectors of all sizes, including micro-organisations and small-sized organisations, and from different countries to undertake sectoral or cross-sectoral activities.
Proposals are expected to present a clear cross-border cooperation dimension as this is at the core of the European Cooperation Projects.
The action is anchored in the policy framework of the Culture strand of the Creative Europe Programme and the EU Overarching Priorities (EU greening efforts, inclusion and gender equality, digital transition and international relations).
European Cooperation Projects are open to all the cultural and creative sectors. However, considering that this action aims to pursue the objectives of the Culture strand of the Programme, projects involving exclusively organisations from the audio-visual sector and projects of an exclusive audiovisual content are out of scope for this call and therefore are not eligible for funding under it.
Proposals are expected to present a clear cross-border cooperation dimension as this is at the core of the European Cooperation Projects.
Topic CREA-CULT-2025-COOP-1 - Small Scale projects:
Small-scale projects are particularly suitable to promote the access of grassroots organisations and support these organisations in the creation of new partnerships and development of new activities and innovative ideas (such as festivals, art fairs, exhibitions, performances, etc.).
Support will be given to projects contributing to one of the following objectives:
Objective 1 - Transnational creation and circulation: to strengthen the transnational creation and circulation of European works and artists.
Transnational creation and circulation are important for the advancement of collaborations, increased outreach and in many cases necessary for the viability and development of cultural organisations, institutions and individuals. Co-production is also a tool to stimulate creativity, share resources and facilitate the trans-national distribution of content and the circulation of artists. Projects will consider the new context such as health or environmental concerns and integrate innovative (digital) ways of producing and disseminating content.
Objective 2 – Innovation: to enhance the capacity of European cultural and creative sectors to nurture talents, to innovate, to prosper and to generate jobs and growth.
Projects responding to this objective should be of capacity-building nature, which can be of technological and/or artistic nature and may include the development and experimentation of new practices or models, as well as the transfer and dissemination of innovative practices.
Areas of innovation can encompass a social or societal dimension such as: audience engagement/development, gender equality, the inclusion of people with disabilities, people belonging to minorities and people belonging to socially marginalised groups, fighting climate change, digitisation, etc. as well as culture’s contribution to health and well-being, especially mental health, given the existing evidence and the persisting mental health crisis affecting in particular the youth.
1. Admissibility Conditions
!!! DO NOT use Part B template from previous calls as it has changed!!!
Only use the Part B template in the Submission System once you start your application under 'Download Part B templates' on the left hand side of the screen.
2. Eligible Countries
as described in the call document under section 6 (Eligibility).
3. Other Eligible Conditions
as described in the call document under section 6 (Eligibility).
4. Evaluation and award: Award criteria, scoring and thresholds
Evaluation criteria, scoring, threshold and process are described in the call document section 8 (Evaluation and award procedure) and section 9 (Award criteria).
5. Evaluation and award: Indicative timeline for evaluation and grant agreement
Publication of the call: December 10, 2024.
Deadline for submitting applications: May 13, 2025 17:00 (Brussels time).
Evaluation period: June - August 2025.
Information to applicants: October 2025.
Signature of grant agreement: January 2026.
Call document and annexes:
Call document
Application form templates
Standard application form (CREA CULTURE) (For information only) - DO NOT use this template for submission. You will find the application form in the Submission System, under 'Download Part B templates' on the left hand hand side of the screen.
Detailed budget table (CREA LSII) - (For information only) - DO NOT use this template for submission. You will find the application form in the Submission System, under 'Download Part B templates' on the left hand hand side of the screen.
Model Grant Agreements (MGA)
CREA MGA
Lump Sum MGA
Additional documents:
CREA Annual Work Programmes
CREA Regulation 2021/818 
EU Financial Regulation 2018/1046 
Rules for Legal Entity Validation, LEAR Appointment and Financial Capacity Assessment 
EU Grants AGA — Annotated Model Grant Agreement 
Funding & Tenders Portal Online Manual 
Funding & Tenders Portal Terms and Conditions 
Funding & Tenders Portal Privacy Statement
Applicants asked the EU 15 questions about this call and the EU published the answers. They clarify the call documents but do not replace them.
Section 6 "Eligibility – Consortium composition" of the Call for ProposalsPDF defines the conditions the consortium must meet to be eligible.
If an organisation participates in more than three (3) applications submitted under the Call (regardless the topic chosen (COOP1, COOP2 or COOP3) and the role chosen (coordinator, partner, associated partner, or affiliated entity)), all concerned applications will be assessed without taking this organisation into account.
The application may become ineligible if the minimum consortium composition is no longer fulfilled.
Read it on the EU portal ↗Answered 28 Oct 2025
Section 6 "Eligibility – Consortium composition" of the Call for ProposalsPDF defines the conditions the consortium must meet to be eligible.
Regardless the topic chosen (COOP1, COOP2 or COOP3):
As partner, associated partner, or affiliated entity, you may apply as part of a maximum of three (3) different applications under this Call.
As coordinator, you can only apply once (1) under this Call, but you may participate in up to 2 additional applications playing another role (partner, associated partner, or affiliated entity).
If an organisation does not respect the limit of participating in 3 applications, all applications concerned will be assessed without taking this organisation into account and the application may become ineligible if the minimum consortium composition is no longer fulfilled.
Read it on the EU portal ↗Answered 13 Feb 2025
There are no geographical restrictions regarding the eligibility of activities of the project and their related costs, as long as:
Please note: the costs of any activities that benefit artists and professionals established in non-participating countries are not eligible (See Call for Proposals section 10 ‘Budget categories and cost eligibility rules’). Such costs cannot be included in the detailed budget table.
Read it on the EU portal ↗Answered 31 Jan 2025
Section 6 "Eligibility – Consortium composition" of the Call for ProposalsPDF defines the conditions the consortium must meet to be eligible.
All participants (coordinator and partners) are responsible for ensuring that none of the members of their consortium participates in more than three (3) applications submitted in the Call. The coordinator should certainly ensure that they check this question with all partner organisations, and the partners concerned confirm that their organisation participates in a maximum of 3 applications.
If any organisation exceeds the limit of three (3) applications, all applications involving that organisation will be assessed without taking the organisation concerned into account and the application may become ineligible if the minimum consortium composition is no longer fulfilled.
Read it on the EU portal ↗Answered 14 Feb 2025
Eligible and ineligible costs are defined in the AGA – Annotated Grand Agreement, art. 6PDF.
In addition to all ineligible costs mentioned above, section 10 – “Budget categories and cost eligibility rules” of the Call for ProposalsPDF specifies particular types of costs considered to be not eligible under this Call, such as, i.e.:
Please note that, because all costs specified in the detailed budget need to be linked to project activities, the following provisions also need to be respected:
Read it on the EU portal ↗Answered 4 Mar 2025
Since the budget table serves as the basis for fixing the lump sums for your grant, you must estimate the costs of your proposal using the same methodology as if these costs were declared under an actual cost-based grant agreement.
In order to compile the budget table accurately you will need to ask each of your partner organisations to supply accurate estimates for the activities that they will be involved in. Each organisation’s budget needs to reflect accurately the likely costs in their own country.
The costs must comply with the basic eligibility conditions for EU actual costs grants (See AGA – Annotated Grant Agreement, art. 6PDF).
The information provided will be used to evaluate your proposal against the "Project management" award criterion (see section 9 of the Call for ProposalsPDF).
Read it on the EU portal ↗Answered 14 Feb 2025
Since the budget table serves as the basis for fixing the lump sums for your grants, and it is evaluated against the "Project management" award criterion (see section 9 of the Call for ProposalsPDF), the “effort” equals the amount of time required for each type of staff category to complete their tasks under each work package.
You should ensure that the tasks listed in the work package are sufficiently precise for each partner organisation to calculate their workload.
The “effort” needs to be expressed in months in the detailed budget table. It can be calculated to 2 decimal places (n.nn). If smaller units than full months are required, the month equivalent should be calculated as follows: number of days / 18.
You can find more information and examples on the calculation of efforts or day-equivalents , in the AGA – Annotated Grant Agreement, art. 6.2.A.1.(1.4)PDF.
Read it on the EU portal ↗Answered 14 Feb 2025
In section 3) "Budget" of Application Form A "Administrative Forms", you must provide the EU grant amount requested per beneficiary (coordinator, partners and affiliated entities) for the project. This section is not about the total cost of the project.
For each beneficiary, you need to copy the data provided in "Detailed budget table" worksheet "BE-WP Overview" ( "Max EU Grant Amount"), into the section 3 “Budget” of the Application Form Part A.
Make sure to apply the correct maximum grant amount and co-financing rate according to the topic/category selected. See section 10 of the Call for proposalsPDF ("Legal and financial set-up of the Grant Agreements") for more information.
You can also find additional information in the point 16 ‘Instructions’ worksheet of the "Detailed budget table".
Read it on the EU portal ↗Answered 6 Feb 2025
The Application From Part C (KPI) is a generic form and, in 2025, under this Call for ProposalsPDF, there is no ‘Annual priority’.
Read it on the EU portal ↗Answered 13 Feb 2025
The term ‘Project Participants’ refers to the organisations involved in the partnership (beneficiaries). It includes any type of organisation and not only ‘enterprise’.
The types of project participants are divided per size:
This is a mandatory section so each box must be completed with a digit.
Please note:
Read it on the EU portal ↗Answered 6 Feb 2025
In the Application Form Part C (KPI), you must identify and select only one (1) objective your project aims to address the most. Even if the project may relate to both objectives.
Description of the two Call for Proposals'PDFObjectives can be found in section 2 "Objectives”.
In the Application Form Part B "Technical description" (section 1.1) you need to explain how your project will address the Call for Proposals' objective that you have selected in Part C.
The information provided will be used to evaluate your proposal under the "Relevance" award criterion.
Read it on the EU portal ↗Answered 6 Feb 2025
In the Funding and Tenders portal, before starting your application, you need to choose the topic (categories of projects) under which you want to apply.
The section 2 ‘Objectives - Themes and priorities - Activities that can be funded - Expected impact’, section 6 ‘Eligibility’ and section 10 ‘Legal and financial set-up of the Grant agreements’ of the ‘Call for proposalsPDF’ define the particularity of each topic:
If you select the wrong topic and you want to correct it, your options depend on when you spot the mistake:
1 - Before submission of the proposal and before the deadline:
The only way to correct the topic is to generate a new proposal and disregard the former one, leaving it as draft.
2 - After submission of the proposal:
Read it on the EU portal ↗Answered 31 Jan 2025
In the Application Form Part C (KPI), you must identify and select the cultural and creative sectors (at least one and maximum three) your project aims to address the most.
You can find more information in section 1 "Background" and section 2 “Activities that can be funded (scope)” of the Call for ProposalsPDF.
Note that proposals involving exclusively organisations from the audiovisual sector and presenting a predominantly audiovisual content are not eligible under this Call.
Read it on the EU portal ↗Answered 31 Jan 2025
The Section 1 “Background” of the Call for ProposalsPDF specifies the Creative Europe Contribution to Overarching EU Priorities. All projects financed under the Call shall integrate and contribute to the overarching EU priorities (i.e. EU greening efforts, inclusion and gender equality, digital transition and international relations – primarily but not exclusively focused on Ukraine and Ukrainian cultural and creative sector). You need to explain in which ways your project will address the EU overarching priorities in Application Form Part B "Technical description" (section 1.4).
The information provided will be used to evaluate your proposal against the "Relevance" award criterion.
Read it on the EU portal ↗Answered 20 Oct 2025
In 2025, there are no more specific priorities in the Call for ProposalsPDF,
In the Application Form Part C (KPI), you will find the section ‘Type of projects’ which is a mandatory field. You must identify and select at least one (1) and maximum two (2) ‘Types of projects’ that your project would contribute the most.
Read it on the EU portal ↗Answered 13 Feb 2025
Confirm the current call documents and submission conditions with the funding authority.
View on EU portal ↗Source: EU Funding & Tenders Portal · synced 2026-11-09
A free account keeps your shortlist and sends deadline reminders. The EUACC connector brings this call, its FAQs, past winners and similar calls into Claude or ChatGPT, so you can check fit and draft with sources.